“Silence Murmur. Detached Bodies and Cities in Takis Ch. Zenetos’ Electronic Urbanism”
Edited by: Panos Dragonas and Lydia Kallipoliti
Leap into the Void
For Real
Yves Klein’s Leap into the Void (1960), in which the artist and judo master soared from a building in a choreographed act of falling, remains one of the most striking photomontages of all time. It was carefully curated by photographers Harry Shunk and János Kende so as to not only look real and thus question the event itself, but also to portray the act of falling as emancipatory; as the relinquishment of the body’s erect posture and the occupation of the air, announced by Klein as the ‘void’. The fall itself was an ultimate and deliberate state of freedom.
designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.
experienced, like a déjà-vu.
designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu. designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.designers ever since, as well as a set of eerie images of our contemporary existence that we have already seen and experienced, like a déjà-vu.